{"id":108537,"date":"2022-08-20T07:17:38","date_gmt":"2022-08-20T07:17:38","guid":{"rendered":"https:\/\/magazineoffice.com\/gamescom-2022-the-indie-booth-arena-ofrece-numerosos-aspectos-destacados\/"},"modified":"2022-08-20T07:17:40","modified_gmt":"2022-08-20T07:17:40","slug":"gamescom-2022-the-indie-booth-arena-ofrece-numerosos-aspectos-destacados","status":"publish","type":"post","link":"https:\/\/magazineoffice.com\/gamescom-2022-the-indie-booth-arena-ofrece-numerosos-aspectos-destacados\/","title":{"rendered":"Gamescom 2022: The Indie Booth Arena ofrece numerosos aspectos destacados"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>La diversidad de la escena del juego se refleja en los m\u00e1s de 30 pa\u00edses de los que proceden los expositores.  Adem\u00e1s de Jap\u00f3n y EE. UU., tambi\u00e9n incluyen Indonesia y Nueva Zelanda, as\u00ed como Bulgaria, Lituania y Polonia. <\/p>\n<p>Los estudios y editores incluyen nombres conocidos como Daedalic Entertainment, Raw Fury y Wired Productions.<\/p>\n<p>Los juegos tan esperados incluyen el tirador CULTIC de 3D Realms, el juego de terror Kona II: Brume de Ravenscourt y el juego de estrategia The Wandering Village de Stray Fawn Studio.  Pero eso es solo una peque\u00f1a muestra de los t\u00edtulos que ver\u00e1s en el Indie Booth Arena.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/magazineoffice.com\/\">Source link-54<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La diversidad de la escena del juego se refleja en los m\u00e1s de 30 pa\u00edses de los que proceden los expositores. Adem\u00e1s de Jap\u00f3n y EE. UU., tambi\u00e9n incluyen Indonesia&hellip;<\/p>\n","protected":false},"author":1,"featured_media":108538,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[3854,1007,24753,1008,4987,4530,1814,3403],"_links":{"self":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/108537"}],"collection":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/comments?post=108537"}],"version-history":[{"count":1,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/108537\/revisions"}],"predecessor-version":[{"id":108539,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/108537\/revisions\/108539"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media\/108538"}],"wp:attachment":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media?parent=108537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/categories?post=108537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/tags?post=108537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}