{"id":117157,"date":"2022-08-24T15:28:06","date_gmt":"2022-08-24T15:28:06","guid":{"rendered":"https:\/\/magazineoffice.com\/los-grandes-riesgos-de-hollywood-28-atrevidas-peliculas-de-estudio-de-los-ultimos-15-anos\/"},"modified":"2022-08-24T15:28:07","modified_gmt":"2022-08-24T15:28:07","slug":"los-grandes-riesgos-de-hollywood-28-atrevidas-peliculas-de-estudio-de-los-ultimos-15-anos","status":"publish","type":"post","link":"https:\/\/magazineoffice.com\/los-grandes-riesgos-de-hollywood-28-atrevidas-peliculas-de-estudio-de-los-ultimos-15-anos\/","title":{"rendered":"Los grandes riesgos de Hollywood: 28 atrevidas pel\u00edculas de estudio de los \u00faltimos 15 a\u00f1os"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"main-article\">\n<p><heading id=\"article-heading\"><\/p>\n<p>\t<\/heading><\/p>\n<p><h2>Desde \u00abBlade Runner 2049\u00bb hasta \u00abDunkerque\u00bb, estas ambiciosas e innovadoras pel\u00edculas de estudio de Hollywood son algo as\u00ed como un milagro.<\/h2>\n<\/p>\n<div class=\"byline-table flex-container\">\n<div class=\"flex-item\">\n\t\t\t<!-- Author byline --><\/p>\n<div class=\"byline-flex-container\" id=\"article-byline\">\n<div class=\"author-avatar byline-flex-item\"><\/div>\n<\/p><\/div>\n<p>\t\t\t<!-- \/Author byline -->\n\t\t<\/div>\n<p>\t\t<!-- Share Tools --><\/p>\n<p>\t\t<!-- \/Share Tools -->\n\t<\/div>\n<div class=\"wp-caption\"><img decoding=\"async\" width=\"780\" height=\"433\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"&quot;Mad Max,&quot; &quot;Locos ricos asi\u00e1ticos,&quot; &quot;Ad Astra,&quot; y m\u00e1s pel\u00edculas de estudio arriesgadas\" loading=\"lazy\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg 9000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=300,167 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=1024,569 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=1536,853 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=2048,1138 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=125,70 125w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=1080,600 1080w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=150,83 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=110,61 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=285,158 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=320,178 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=640,356 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=800,444 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=1280,711 1280w\" data-lazy-sizes=\"(max-width: 780px) 100vw, 780px\"\/><noscript><img decoding=\"async\" width=\"780\" height=\"433\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?w=780\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"&quot;Mad Max,&quot; &quot;Locos ricos asi\u00e1ticos,&quot; &quot;Ad Astra,&quot; y m\u00e1s pel\u00edculas de estudio arriesgadas\" loading=\"lazy\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg 9000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=300,167 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=1024,569 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=1536,853 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=2048,1138 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=125,70 125w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=1080,600 1080w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=150,83 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=110,61 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=285,158 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=320,178 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=640,356 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=800,444 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/01\/riskiest_studio.jpg?resize=1280,711 1280w\" sizes=\"(max-width: 780px) 100vw, 780px\"\/><\/noscript><\/p>\n<div class=\"image-caption wp-caption-text\">\n<p>\u201cMad Max\u201d, \u201cCrazy Rich Asians\u201d, \u201cAd Astra\u201d y pel\u00edculas de estudio m\u00e1s arriesgadas<\/p>\n<\/div>\n<p class=\"image-credit\">Colecci\u00f3n Everett<\/p>\n<\/div>\n<div class=\"entry-content\">\n<p><em>[Editor\u2019s note: This gallery was originally published in November 2018 and has been updated accordingly]<\/em><\/p>\n<p>Los estudios de Hollywood se han vuelto tan dependientes durante la \u00faltima d\u00e9cada de las pel\u00edculas basadas en c\u00f3mics y de las alucinantes tentativas adjuntas a la propiedad intelectual preexistente que puede parecer un peque\u00f1o milagro cada vez que un gran estudio rompe el molde.<\/p>\n<p>Ya sea que \u00abCrazy Rich Asians\u00bb demuestre que no hay raz\u00f3n para temer al g\u00e9nero de la comedia rom\u00e1ntica o estudios que permitan a autores como Christopher Nolan y Denis Villeneuve ver a trav\u00e9s de sus visiones polarizadoras, las pel\u00edculas de estudio de Hollywood m\u00e1s atrevidas suelen ser algunas de las mejores.  Y a veces, las pel\u00edculas de estudio m\u00e1s atrevidas, como Warner Bros.&#8217;  \u201cThe Matrix Resurrections\u201d podr\u00eda ser la \u00faltima que veamos de su tipo, especialmente en medio del nuevo orden mundial que reina en Warner Bros. Discovery bajo el nuevo CEO David Zaslav.<\/p>\n<p>Y otras pel\u00edculas de franquicias arriesgadas como la cuarta pel\u00edcula de \u201cMatrix\u201d se elevan por encima del paquete de secuelas mon\u00f3tonas (ver \u201cBlade Runner 2049\u201d de Villeneuve).  Si bien Hollywood siempre est\u00e1 en peligro de perder su ritmo creativo a favor de las pel\u00edculas de superh\u00e9roes y las franquicias, las siguientes 28 pel\u00edculas demuestran que la toma de riesgos de los estudios a\u00fan no est\u00e1 muerta.<\/p>\n<p><em>Zack Sharf contribuy\u00f3 a esta historia.<\/em><\/p>\n<p class=\"article-singup-link\">\n\t<strong>Inscribirse: <\/strong>\u00a1Mant\u00e9ngase al tanto de las \u00faltimas noticias de cine y televisi\u00f3n!  Reg\u00edstrese aqu\u00ed para recibir nuestros boletines por correo electr\u00f3nico.\n<\/p>\n<\/p><\/div>\n<p><!-- .entry-content --><br \/>\n\t\t<!-- .entry-meta --><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/magazineoffice.com\/\">Source link-21 <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Desde \u00abBlade Runner 2049\u00bb hasta \u00abDunkerque\u00bb, estas ambiciosas e innovadoras pel\u00edculas de estudio de Hollywood son algo as\u00ed como un milagro. \u201cMad Max\u201d, \u201cCrazy Rich Asians\u201d, \u201cAd Astra\u201d y pel\u00edculas&hellip;<\/p>\n","protected":false},"author":1,"featured_media":117158,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[123],"tags":[1167,38681,3148,1074,1846,8,257,9229,4269],"_links":{"self":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/117157"}],"collection":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/comments?post=117157"}],"version-history":[{"count":1,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/117157\/revisions"}],"predecessor-version":[{"id":117159,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/117157\/revisions\/117159"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media\/117158"}],"wp:attachment":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media?parent=117157"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/categories?post=117157"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/tags?post=117157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}