{"id":338501,"date":"2022-12-09T09:59:41","date_gmt":"2022-12-09T09:59:41","guid":{"rendered":"https:\/\/magazineoffice.com\/de-robert-capa-a-albert-londres-que-historia-contaron-los-corresponsales-de-guerra\/"},"modified":"2022-12-09T09:59:44","modified_gmt":"2022-12-09T09:59:44","slug":"de-robert-capa-a-albert-londres-que-historia-contaron-los-corresponsales-de-guerra","status":"publish","type":"post","link":"https:\/\/magazineoffice.com\/de-robert-capa-a-albert-londres-que-historia-contaron-los-corresponsales-de-guerra\/","title":{"rendered":"De Robert Capa a Albert Londres: \u00bfqu\u00e9 historia contaron los corresponsales de guerra?"},"content":{"rendered":"


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ENTREVISTA – Virginie Girod recibe a Adrien Jaulmes, reportero y corresponsal en Washington de Le Figaro. Distinguido con el premio Albert Londres en 2002, public\u00f3 \u00abContar la guerra, una historia de corresponsales de guerra\u00bb. La historia de los reporteros de guerra se remonta al siglo XIX, una \u00e9poca en la que los peri\u00f3dicos se multiplicaron \u00aby por lo tanto hab\u00eda periodistas que iban a los campos de batalla\u00bb, dice Adrien Jaulmes, mientras que tambi\u00e9n era una \u00e9poca en la que la fotograf\u00eda a\u00fan no tiene su lugar. Tambi\u00e9n se habla de contar la guerra, mientras que la Primera Guerra Mundial constituye un verdadero punto de inflexi\u00f3n, grandes nombres como los del reportero Albert Londres o el fot\u00f3grafo Robert Capa.<\/title><meta property=\"og:site_name\" content=\"Europe 1\"\/><meta property=\"og:title\" content=\"INTERVIEW - Virginie Girod re\u00e7oit Adrien Jaulmes, grand reporter et correspondant \u00e0 Washington pour Le Figaro. Distingu\u00e9 par le prix Albert Londres en 2002, il a publi\u00e9 \"Raconter la guerre, une histoire des correspondants de guerre\". L'histoire des reporters de guerre remonte au 19e si\u00e8cle, une \u00e9poque o\u00f9 les journaux se multiplient \"et donc il y a des journalistes qui se rendent sur les champs de bataille\", raconte Adrien Jaulmes, alors que c'est aussi un temps o\u00f9 la photographie n'y a pas encore sa place. Raconter la guerre, c'est \u00e9voqu\u00e9 \u00e9galement, alors que la Premi\u00e8re guerre mondiale constitue un vrai point de bascule, de grands noms comme ceux du reporter Albert Londres ou encore du photographe Robert Capa.\"\/><meta property=\"og:description\" content=\"INTERVIEW - Virginie Girod re\u00e7oit Adrien Jaulmes, grand reporter et correspondant \u00e0 Washington pour Le Figaro. Distingu\u00e9 par le prix Albert Londres en 2002, il a publi\u00e9 "Raconter la guerre, une histoire des correspondants de guerre". L'histoire des reporters de guerre remonte au 19e si\u00e8cle, une \u00e9poque o\u00f9 les journaux se multiplient "et donc il y a des journalistes qui se rendent sur les champs de bataille", raconte Adrien Jaulmes, alors que c'est aussi un temps o\u00f9 la photographie n'y a pas encore sa place. Raconter la guerre, c'est \u00e9voqu\u00e9 \u00e9galement, alors que la Premi\u00e8re guerre mondiale constitue un vrai point de bascule, de grands noms comme ceux du reporter Albert Londres ou encore du photographe Robert Capa. "Il y a une rupture technologique fondamentale au d\u00e9but des ann\u00e9es 30", avec des appareils photos plus petits, qui permettent de changer les objectifs et de prendre des clich\u00e9s \u00e0 la vol\u00e9e, rappelle encore Adrien Jaulmes.Sujets abord\u00e9s : journalisme - correspondant de guerre - Albert Londres - Robert Capa\"\/><meta name=\"description\" content=\"INTERVIEW - Virginie Girod re\u00e7oit Adrien Jaulmes, grand reporter et correspondant \u00e0 Washington pour Le Figaro. Distingu\u00e9 par le prix Albert Londres en 2002, il a publi\u00e9 "Raconter la guerre, une histoire des correspondants de guerre". L'histoire des reporters de guerre remonte au 19e si\u00e8cle, une \u00e9poque o\u00f9 les journaux se multiplient "et donc il y a des journalistes qui se rendent sur les champs de bataille", raconte Adrien Jaulmes, alors que c'est aussi un temps o\u00f9 la photographie n'y a pas encore sa place. Raconter la guerre, c'est \u00e9voqu\u00e9 \u00e9galement, alors que la Premi\u00e8re guerre mondiale constitue un vrai point de bascule, de grands noms comme ceux du reporter Albert Londres ou encore du photographe Robert Capa. "Il y a une rupture technologique fondamentale au d\u00e9but des ann\u00e9es 30", avec des appareils photos plus petits, qui permettent de changer les objectifs et de prendre des clich\u00e9s \u00e0 la vol\u00e9e, rappelle encore Adrien Jaulmes.Sujets abord\u00e9s : journalisme - correspondant de guerre - Albert Londres - Robert Capa\"\/><meta property=\"og:locale\" content=\"fr_FR\"\/><meta name=\"robots\" content=\"index,follow,max-snippet:-1,max-image-preview:large,max-video-preview:-1\"\/><meta property=\"og:type\" content=\"sound\"\/><meta property=\"og:url\" content=\"https:\/\/www.europe1.fr\/emissions\/Au-coeur-de-l-histoire\/de-robert-capa-a-albert-londres-quelle-histoire-ont-raconte-les-correspondants-de-guerre-4153231\"\/><meta name=\"twitter:site\" content=\"@Europe1\"\/><meta name=\"twitter:url\" content=\"https:\/\/www.europe1.fr\/emissions\/Au-coeur-de-l-histoire\/de-robert-capa-a-albert-londres-quelle-histoire-ont-raconte-les-correspondants-de-guerre-4153231\"\/><meta 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3.58 1.79 9.62 5.43-1.03 11.36z\"\/><\/symbol><\/svg><main id=\"main\"\/><!--lagardere--><noscript><iframe loading=\"lazy\" src=\"https:\/\/redirect447.tagcommander.com\/utils\/noscript.php?id=5&mode=iframe&content_type=&content_id=&content_level1=&content_level2=&content_level3=\" width=\"1\" height=\"1\" rel=\"noindex,nofollow\"><\/iframe><\/noscript><\/body><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.europe1.fr\/emissions\/Au-coeur-de-l-histoire\/de-robert-capa-a-albert-londres-quelle-histoire-ont-raconte-les-correspondants-de-guerre-4153231\" target=\"_blank\" rel=\"noopener\">Source link-59 <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ENTREVISTA – Virginie Girod recibe a Adrien Jaulmes, reportero y corresponsal en Washington de Le Figaro. Distinguido con el premio Albert Londres en 2002, public\u00f3 \u00abContar la guerra, una historia…<\/p>\n","protected":false},"author":1,"featured_media":338502,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[12892,6383,63784,1985,363,232,3859,8,111,377],"_links":{"self":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/338501"}],"collection":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/comments?post=338501"}],"version-history":[{"count":1,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/338501\/revisions"}],"predecessor-version":[{"id":338503,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/338501\/revisions\/338503"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media\/338502"}],"wp:attachment":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media?parent=338501"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/categories?post=338501"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/tags?post=338501"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}