{"id":344660,"date":"2022-12-12T18:35:02","date_gmt":"2022-12-12T18:35:02","guid":{"rendered":"https:\/\/magazineoffice.com\/encuesta-de-criticos-2022-las-mejores-peliculas-y-actuaciones-segun-165-criticos-de-todo-el-mundo\/"},"modified":"2022-12-12T18:35:04","modified_gmt":"2022-12-12T18:35:04","slug":"encuesta-de-criticos-2022-las-mejores-peliculas-y-actuaciones-segun-165-criticos-de-todo-el-mundo","status":"publish","type":"post","link":"https:\/\/magazineoffice.com\/encuesta-de-criticos-2022-las-mejores-peliculas-y-actuaciones-segun-165-criticos-de-todo-el-mundo\/","title":{"rendered":"Encuesta de cr\u00edticos 2022: Las mejores pel\u00edculas y actuaciones, seg\u00fan 165 cr\u00edticos de todo el mundo"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<p><h2>165 cr\u00edticos de todo el mundo votaron en la encuesta de este a\u00f1o, y una pel\u00edcula encabez\u00f3 varias de las principales categor\u00edas por una victoria aplastante.<\/h2>\n<\/p>\n<div>\n<div style=\"float: left; margin-right: 14px;\"><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1234681110 alignleft\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/11\/IW-bestof2022@2x.png?w=301\" alt=\"\" width=\"150\" height=\"150\"\/><\/noscript><\/div>\n<p>El consenso cr\u00edtico est\u00e1 en el aire una vez m\u00e1s.  El a\u00f1o pasado, la encuesta anual de cr\u00edticos de IndieWire estuvo dominada por un t\u00edtulo, \u00abEl poder del perro\u00bb.  Ahora, una victoria aplastante ha sucedido nuevamente.  Con 165 cr\u00edticos y periodistas votando por las mejores pel\u00edculas y actuaciones en la encuesta de este a\u00f1o, \u201cT\u00c1R\u201d de Todd Field tom\u00f3 el puesto n\u00famero 1 en varias categor\u00edas con la urgencia de un conductor loco derribando a un rival de su podio.<\/p>\n<p>La pel\u00edcula encabez\u00f3 las categor\u00edas de Mejor Pel\u00edcula, Mejor Director, Mejor Actuaci\u00f3n y Mejor Gui\u00f3n.  Apareci\u00f3 en m\u00e1s del 45% de todas las boletas, con 26 clasificaciones de primer lugar para Mejor Pel\u00edcula.  Tambi\u00e9n ocup\u00f3 el segundo lugar en la lista de personal de IndieWire de Las mejores pel\u00edculas de 2022.<\/p>\n<p>Votaron los miembros del personal de IndieWire, The New Yorker, Rolling Stone, The Hollywood Reporter, The Atlantic y Entertainment Weekly, as\u00ed como escritores independientes y del personal para peri\u00f3dicos, sitios web, radio y televisi\u00f3n de toda Europa, Am\u00e9rica Latina, \u00c1frica y Asia. \u2014 adem\u00e1s de en todo Estados Unidos y Canad\u00e1.  Todos los participantes deb\u00edan votar solo por las pel\u00edculas que se estrenaron en cines, streaming o VOD en los EE. UU. durante el \u00faltimo a\u00f1o calendario.<\/p>\n<section class=\"c-related variant-original\">\n<h3 class=\"c-heading\">Relacionado<\/h3>\n<\/section>\n<section class=\"c-related variant-evergreen-link hide\">\n<h3 class=\"c-heading\">Relacionado<\/h3>\n<\/section>\n<p>Todas las 10 mejores pel\u00edculas de 2022 tambi\u00e9n aparecen en otras categor\u00edas.  La mayor victoria que tuvo lugar en cualquier categor\u00eda esta vez fue para la pel\u00edcula que ocup\u00f3 el primer lugar en la categor\u00eda de Mejor \u00f3pera prima, \u00abAftersun\u00bb.  El debut de Charlotte Wells ocup\u00f3 el primer lugar en 82 votaciones para Mejor \u00f3pera prima, y \u200b\u200baproximadamente la mitad de todos los votantes lo declararon as\u00ed.  Tambi\u00e9n ocup\u00f3 el puesto n\u00famero 2 en la lista general de Mejor pel\u00edcula (y el n\u00famero 1 en la lista del personal de IndieWire), as\u00ed como el n\u00famero 5 para Wells como Mejor director, el n\u00famero 8 para Paul Mescal en Mejor interpretaci\u00f3n. y No. 4 por Mejor Gui\u00f3n.  Sorprendentemente, ni la pel\u00edcula No. 1 ni la No. 2 de la lista general de Mejor Pel\u00edcula, \u201cT\u00c1R\u201d y \u201cAftersun\u201d, aparecieron en la lista de Mejor Fotograf\u00eda.<\/p>\n<p>El poder de los festivales se exhibi\u00f3 una vez m\u00e1s en la lista Top 10, con \u201cT\u00c1R\u201d haciendo su debut en Venecia, luego en Telluride, y luego para una recepci\u00f3n raps\u00f3dica en el Festival de Cine de Nueva York donde su broma de Jimmy Levine aterriz\u00f3 con particular fuerza entre la multitud del Lincoln Center.  \u201cAftersun\u201d se estren\u00f3 en la Semana de la Cr\u00edtica de Cannes en mayo, seguido de reverencias en Telluride, TIFF y NYFF.<\/p>\n<p>De hecho, todas las dem\u00e1s pel\u00edculas del Top 10 excepto \u00abNope\u00bb, \u00abRRR\u00bb y \u00abTop Gun: Maverick\u00bb se estrenaron en un importante festival internacional, e incluso entonces el director de \u00abRRR\u00bb, SS Rajamouli, ha aparecido en muchos festivales desde \u00bb RRR\u201d volvi\u00f3 a entrar en la conversaci\u00f3n sobre los premios en TIFF, mientras que \u201cMaverick\u201d hizo la primera pantalla, con una respuesta entusiasta, en CinemaCon y Cannes.  \u201cNope\u201d tambi\u00e9n recibi\u00f3 una presentaci\u00f3n especial en TIFF, alg\u00fan tiempo despu\u00e9s de su gran lanzamiento.<\/p>\n<p>Otras pel\u00edculas en el Top 10 general tambi\u00e9n aparecen en otras categor\u00edas: la selecci\u00f3n No. 3, \u00abThe Banshees of Inisherin\u00bb, tambi\u00e9n apareci\u00f3 en el No. 7 en Mejor Director para Martin McDonagh, No. 2 en Mejor Actuaci\u00f3n para Colin Farrell, No. 6 en Mejor Fotograf\u00eda, No. 2 a Mejor Gui\u00f3n y No. 6 a Mejor Pel\u00edcula Internacional;  \u201cEverything Everywhere All at Once\u201d (No. 4 en la lista de Mejor Pel\u00edcula) tambi\u00e9n apareci\u00f3 en el No. 2 en Mejor Director para los Daniels, No. 3 en Mejor Actuaci\u00f3n para Michelle Yeoh y No. 3 en Mejor Gui\u00f3n;  la pel\u00edcula No. 5, \u201cThe Fabelmans\u201d, apareci\u00f3 tambi\u00e9n en el No. 4 en Mejor Director para Steven Spielberg, No. 5 en Mejor Fotograf\u00eda y No. 6 en Mejor Gui\u00f3n.<\/p>\n<p>Y del resto del Top 10, \u201cDecision to Leave\u201d tambi\u00e9n super\u00f3 a Mejor Fotograf\u00eda y Mejor Pel\u00edcula Internacional, mientras que \u201cAll the Beauty and the Bloodshed\u201d tambi\u00e9n super\u00f3 a Mejor Documental.  Una lista completa de las 50 mejores pel\u00edculas se publicar\u00e1 m\u00e1s adelante esta semana.<\/p>\n<div id=\"attachment_1234790627\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790627\" decoding=\"async\" class=\"size-large wp-image-1234790627\" alt=\"RRR, (tambi\u00e9n conocido como RISE ROAR REVOLT), NT Rama Rao Jr., 2022. \u00a9 Raftar Creations \/ Cortes\u00eda de la colecci\u00f3n Everett\" width=\"780\" height=\"332\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=300,128 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=1024,436 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=1536,654 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=2048,872 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=1410,600 1410w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=150,64 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=110,47 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=285,121 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=320,136 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=640,272 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=800,341 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=1280,545 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790627\" decoding=\"async\" class=\"size-large wp-image-1234790627\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?w=780\" alt=\"RRR, (tambi\u00e9n conocido como RISE ROAR REVOLT), NT Rama Rao Jr., 2022. \u00a9 Raftar Creations \/ Cortes\u00eda de la colecci\u00f3n Everett\" width=\"780\" height=\"332\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=300,128 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=1024,436 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=1536,654 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=2048,872 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=1410,600 1410w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=150,64 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=110,47 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=285,121 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=320,136 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=640,272 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=800,341 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/RRR.jpg?resize=1280,545 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790627\" class=\"wp-caption-text\">\u201cRRR\u201d<\/p>\n<\/div>\n<p class=\"image-credit\">Cortes\u00eda de la colecci\u00f3n Everett<\/p>\n<p>Por tercera vez, esta encuesta present\u00f3 una categor\u00eda de Mejor Desempe\u00f1o neutral en cuanto al g\u00e9nero.  Junto con sus victorias dominantes como Mejor Pel\u00edcula, Mejor Director y Mejor Gui\u00f3n, \u201cT\u00c1R\u201d simplemente se adue\u00f1\u00f3 de esta categor\u00eda por la interpretaci\u00f3n de Cate Blanchett de la consumada directora del t\u00edtulo y su abrupta ca\u00edda en desgracia.  En una \u00e9poca de juicios instant\u00e1neos, donde todos ahora parecen definirse por una sola cosa (e incluso buscan definirse por una sola cosa), la forma en que este personaje se define por la falta de absolutos ha resonado por todas partes.<\/p>\n<p>Contener multitudes est\u00e1 a la orden del d\u00eda para los personajes en este momento, seg\u00fan esta lista de Mejor Actuaci\u00f3n, en algunos casos literalmente, como las muchas versiones de s\u00ed misma que experimenta Michelle Yeoh (No. 3) en \u00abEverything Everywhere All at Once\u00bb. y otros otros de formas m\u00e1s sutiles como Paul Mescal (n.\u00b0 8) en \u201cAftersun\u201d (puede ser un padre amoroso y profundamente atribulado) o Guslangie Malanda (n.\u00b0 10) en \u201cSaint Omer\u201d (puede ser una asesina madre, pero su situaci\u00f3n todav\u00eda invoca simpat\u00eda).<\/p>\n<p>Contradicciones como esas tambi\u00e9n abundan en la categor\u00eda de Mejor Documental, que fue encabezada por \u201cAll the Beauty and the Bloodshed\u201d y su retrato de la artista y activista Nan Goldin.  Individuos complejos e irreductibles son el centro de atenci\u00f3n varias veces en esta categor\u00eda, como los vulcan\u00f3logos condenados Catherine y Maurice Krafft en \u00abFire of Love\u00bb (No. 2), David Bowie en \u00abMoonage Daydream\u00bb (No. 3) o el ruso encarcelado. disidente \u201cNavalny\u201d (No. 6).  Luego est\u00e1 el \u201cSr.  Bachmann and His Class\u201d (No. 9), que se siente como el mundo entero.<\/p>\n<p>Si bien este es un momento para mirar hacia atr\u00e1s, tambi\u00e9n es un momento para mirar hacia adelante.  Afortunadamente, ya conocemos una serie de pel\u00edculas que rompen la forma y expanden la mente que se estrenar\u00e1n en 2023 y que est\u00e1n destinadas a colonizar los cerebros de cualquiera que las vea.  Se pidi\u00f3 a los cr\u00edticos que votaran por la mejor pel\u00edcula de 2023 que ya hab\u00edan visto, y en la parte superior de la lista estaba \u00abShowing Up\u00bb de Kelly Reichardt, que debut\u00f3 en Cannes y se proyect\u00f3 en varios otros festivales en 2022.<\/p>\n<p>Invitamos a los lectores a perderse en estos resultados y usarlos para considerar llenar algunos puntos ciegos.  Disfrutar.<\/p>\n<h3>La mejor pel\u00edcula<\/h3>\n<div id=\"attachment_1234790630\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790630\" decoding=\"async\" class=\"size-large wp-image-1234790630\" alt=\"TAR, Cate Blanchett, 2022. \u00a9 Focus Features \/ cortes\u00eda de Everett Collection\" width=\"780\" height=\"327\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg 1920w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=300,126 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=1024,429 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=1536,643 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=1433,600 1433w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=150,63 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=285,119 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=320,134 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=640,268 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=800,335 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=1280,536 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790630\" decoding=\"async\" class=\"size-large wp-image-1234790630\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?w=780\" alt=\"TAR, Cate Blanchett, 2022. \u00a9 Focus Features \/ cortes\u00eda de Everett Collection\" width=\"780\" height=\"327\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg 1920w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=300,126 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=1024,429 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=1536,643 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=1433,600 1433w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=150,63 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=285,119 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=320,134 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=640,268 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=800,335 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR.jpg?resize=1280,536 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790630\" class=\"wp-caption-text\">\u00abALQUITR\u00c1N\u00bb<\/p>\n<\/div>\n<p class=\"image-credit\">\u00a9Focus Features\/Cortes\u00eda Colecci\u00f3n Everett<\/p>\n<p>1. \u201cT\u00c1R\u201d<br \/>2. \u201cDespu\u00e9s del sol\u201d<br \/>3. \u201cLas almas en pena de Inisherin\u201d<br \/>4. \u201cTodo en todas partes, todo a la vez\u201d<br \/>5. \u201cLos Fabelman\u201d<br \/>6. \u201cDecisi\u00f3n de irse\u201d<br \/>7. \u201cNop\u201d<br \/>8. \u201cRRR\u201d<br \/>9. \u201cTop Gun: Inconformista\u201d<br \/>10. \u201cToda la belleza y el derramamiento de sangre\u201d<\/p>\n<h3>mejor director<\/h3>\n<div id=\"attachment_1234790634\" style=\"width: 693px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790634\" decoding=\"async\" class=\"size-large wp-image-1234790634\" alt=\"Todd Field en las llegadas para el 60\u00ba Festival de Cine de Nueva York Presentaci\u00f3n de TAR, Alice Tully Hall en Lincoln Center, Nueva York, NY 3 de octubre de 2022. Foto de: Colecci\u00f3n Kristin Callahan\/Everett\" width=\"683\" height=\"1024\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?w=683\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg 1920w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=200,300 200w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=683,1024 683w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=1024,1536 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=1365,2048 1365w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=400,600 400w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=150,225 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=110,165 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=285,428 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=160,240 160w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=320,480 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=640,960 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=800,1200 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=512,768 512w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=1280,1920 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790634\" decoding=\"async\" class=\"size-large wp-image-1234790634\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?w=683\" alt=\"Todd Field en las llegadas para el 60\u00ba Festival de Cine de Nueva York Presentaci\u00f3n de TAR, Alice Tully Hall en Lincoln Center, Nueva York, NY 3 de octubre de 2022. Foto de: Colecci\u00f3n Kristin Callahan\/Everett\" width=\"683\" height=\"1024\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg 1920w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=200,300 200w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=683,1024 683w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=1024,1536 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=1365,2048 1365w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=400,600 400w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=150,225 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=110,165 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=285,428 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=160,240 160w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=320,480 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=640,960 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=800,1200 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=512,768 512w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Todd-Field.jpg?resize=1280,1920 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790634\" class=\"wp-caption-text\">Campo Todd<\/p>\n<\/div>\n<p>1. Todd Field, \u201cT\u00c1R\u201d<br \/>2. Daniel Kwan y Daniel Scheinert, \u201cTodo en todas partes, todo a la vez\u201d<br \/>3. SS Rajamouli, \u201cRRR\u201d<br \/>4. Steven Spielberg, \u201cLos Fabelman\u201d<br \/>5. Charlotte Wells, \u201cDespu\u00e9s del sol\u201d<br \/>6. Park Chan-wook, \u201cDecisi\u00f3n de irse\u201d<br \/>7. Martin McDonagh, \u201cLas almas en pena de Inisherin\u201d<br \/>8. Jerzy Skolimowski, \u201cEO\u201d<br \/>9. Jordan Peele, \u00abNo\u00bb<br \/>10. Alice Diop, \u201cSan Omer\u201d<\/p>\n<h3>Mejor presentaci\u00f3n<\/h3>\n<div id=\"attachment_1234790635\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790635\" decoding=\"async\" class=\"size-large wp-image-1234790635\" alt=\"TAR, Cate Blanchett, 2022. \u00a9 Focus Features\/Cortes\u00eda Colecci\u00f3n Everett\" width=\"780\" height=\"326\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=300,125 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=1024,428 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=1536,642 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=2048,855 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=1437,600 1437w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=150,63 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=285,119 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=320,134 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=640,267 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=800,334 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=1280,535 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790635\" decoding=\"async\" class=\"size-large wp-image-1234790635\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?w=780\" alt=\"TAR, Cate Blanchett, 2022. \u00a9 Focus Features\/Cortes\u00eda Colecci\u00f3n Everett\" width=\"780\" height=\"326\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=300,125 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=1024,428 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=1536,642 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=2048,855 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=1437,600 1437w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=150,63 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=285,119 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=320,134 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=640,267 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=800,334 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Cate-Blanchett-in-TAR.jpg?resize=1280,535 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790635\" class=\"wp-caption-text\">Cate Blanchett en \u201cT\u00c1R\u201d<\/p>\n<\/div>\n<p class=\"image-credit\">\u00a9Focus Features\/Cortes\u00eda Colecci\u00f3n Everett<\/p>\n<p>1. Cate Blanchett, \u201cT\u00c1R\u201d<br \/>2. Colin Farrell, \u201cLas almas en pena de Inisherin\u201d<br \/>3. Michelle Yeoh, \u201cTodo en todas partes, todo a la vez\u201d<br \/>4. Danielle Deadwyler, \u201cHasta\u201d<br \/>5. Park Ji-Min, \u201cRegreso a Se\u00fal\u201d<br \/>6. Brendan Fraser, \u201cLa ballena\u201d<br \/>7. Tilda Swinton, \u201cLa hija eterna\u201d<br \/>8. Paul Mescal, \u201cDespu\u00e9s del sol\u201d<br \/>9. Mia Goth, \u00abPerla\u00bb<br \/>10. CORBATA: Guslagie Malanda, \u201cSaint Omer\u201d;  Austin mayordomo, \u00abElvis\u00bb;  L\u00e9a Seydoux, \u201cUna hermosa ma\u00f1ana\u201d<\/p>\n<h3>Mejor Documental<\/h3>\n<div id=\"attachment_1234790636\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790636\" decoding=\"async\" class=\"size-large wp-image-1234790636\" alt=\"TODA LA BELLEZA Y EL VERTIDO DE SANGRE, Nan Goldin encabezando una protesta para eliminar el nombre Sackler de las galer\u00edas del Louvre, Par\u00eds, 2022. \u00a9 Neon \/ cortes\u00eda de Everett Collection\" width=\"780\" height=\"556\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?w=2048 2742w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=300,214 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=1024,730 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=1536,1096 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=2048,1461 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=117,82 117w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=841,600 841w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=150,107 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=110,78 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=285,203 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=320,228 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=640,457 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=800,571 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=1280,913 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790636\" decoding=\"async\" class=\"size-large wp-image-1234790636\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?w=780\" alt=\"TODA LA BELLEZA Y EL VERTIDO DE SANGRE, Nan Goldin encabezando una protesta para eliminar el nombre Sackler de las galer\u00edas del Louvre, Par\u00eds, 2022. \u00a9 Neon \/ cortes\u00eda de Everett Collection\" width=\"780\" height=\"556\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?w=2048 2742w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=300,214 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=1024,730 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=1536,1096 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=2048,1461 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=117,82 117w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=841,600 841w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=150,107 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=110,78 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=285,203 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=320,228 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=640,457 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=800,571 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/All-the-Beauty-and-the-Bloodshed.jpg?resize=1280,913 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790636\" class=\"wp-caption-text\">\u201cToda la belleza y el derramamiento de sangre\u201d<\/p>\n<\/div>\n<p class=\"image-credit\">Cortes\u00eda de la colecci\u00f3n Everett<\/p>\n<p>1. \u201cToda la belleza y el derramamiento de sangre\u201d<br \/>2. \u201cFuego de amor\u201d<br \/>3. \u201cEnsue\u00f1o de la luna\u201d<br \/>4. \u201cTodo lo que respira\u201d<br \/>5. \u201cDescendiente\u201d<br \/>6. \u201cNavalismo\u201d<br \/>7. \u201cTres minutos: un alargamiento\u201d<br \/>8. \u201cLos Janes\u201d<br \/>9. \u201cSr.  Bachmann y su clase\u201d<br \/>10. TIE: \u201cSr.\u201d\/\u201dTenemos que hablar de Cosby\u201d<\/p>\n<h3>Mejor Fotograf\u00eda<\/h3>\n<div id=\"attachment_1234790644\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790644\" decoding=\"async\" class=\"size-large wp-image-1234790644\" alt=\"DECISI\u00d3N DE SALIR, (tambi\u00e9n conocido como HEOJIL KYOLSHIM), desde arriba a la izquierda: JEONG Ha-dam, GO Kyung-Pyo;  derecha: PARK Hae-il, 2022. \u00a9 MUBI \/ cortes\u00eda de Everett Collection\" width=\"780\" height=\"324\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=300,125 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=1024,426 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=1536,639 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=2048,852 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=1442,600 1442w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=150,62 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=285,119 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=320,133 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=640,266 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=800,333 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=1280,532 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790644\" decoding=\"async\" class=\"size-large wp-image-1234790644\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?w=780\" alt=\"DECISI\u00d3N DE SALIR, (tambi\u00e9n conocido como HEOJIL KYOLSHIM), desde arriba a la izquierda: JEONG Ha-dam, GO Kyung-Pyo;  derecha: PARK Hae-il, 2022. \u00a9 MUBI \/ cortes\u00eda de Everett Collection\" width=\"780\" height=\"324\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=300,125 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=1024,426 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=1536,639 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=2048,852 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=1442,600 1442w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=150,62 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=285,119 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=320,133 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=640,266 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=800,333 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Decision-to-Leave.jpg?resize=1280,532 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790644\" class=\"wp-caption-text\">\u201cDecisi\u00f3n de irse\u201d<\/p>\n<\/div>\n<p class=\"image-credit\">Cortes\u00eda de la colecci\u00f3n Everett<\/p>\n<p>1. \u201cDecisi\u00f3n de irse\u201d<br \/>2. \u201cTop Gun: Inconformista\u201d<br \/>3. EMPATE: \u201cEO\u201d\/\u201dNop\u201d<br \/>5. \u201cLos Fabelman\u201d<br \/>6. \u201cLas almas en pena de Inisherin\u201d<br \/>7. \u201cAtenea\u201d<br \/>8. \u201cAvatar: El camino del agua\u201d<br \/>9. \u201cBardo\u201d<br \/>10. \u201cAmbulancia\u201d<\/p>\n<h3>Mejor gui\u00f3n<\/h3>\n<div id=\"attachment_1234790647\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790647\" decoding=\"async\" class=\"size-large wp-image-1234790647\" alt=\"TAR, Sophie Kauer, 2022. \u00a9 Focus Features \/ Cortes\u00eda Colecci\u00f3n Everett\" width=\"780\" height=\"327\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=300,126 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=1024,429 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=1536,643 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=2048,857 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=1433,600 1433w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=150,63 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=285,119 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=320,134 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=640,268 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=800,335 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=1280,536 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790647\" decoding=\"async\" class=\"size-large wp-image-1234790647\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?w=780\" alt=\"TAR, Sophie Kauer, 2022. \u00a9 Focus Features \/ Cortes\u00eda Colecci\u00f3n Everett\" width=\"780\" height=\"327\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=300,126 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=1024,429 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=1536,643 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=2048,857 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=1433,600 1433w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=150,63 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=285,119 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=320,134 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=640,268 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=800,335 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/TAR-2.jpg?resize=1280,536 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790647\" class=\"wp-caption-text\">\u00abALQUITR\u00c1N\u00bb<\/p>\n<\/div>\n<p class=\"image-credit\">\u00a9Focus Features\/Cortes\u00eda Colecci\u00f3n Everett<\/p>\n<p>1. \u201cT\u00c1R\u201d<br \/>2. \u201cLas almas en pena de Inisherin\u201d<br \/>3. \u201cTodo en todas partes, todo a la vez\u201d<br \/>4. \u201cDespu\u00e9s del sol\u201d<br \/>5. \u201cMujeres Hablando\u201d<br \/>6. \u201cLos Fabelman\u201d<br \/>7. \u201cCr\u00edmenes del futuro\u201d<br \/>8. \u201cCebolla de cristal\u201d<br \/>9. \u201cSan Omer\u201d<br \/>10. TIE: \u201cLa hija eterna\u201d\/\u201dDespu\u00e9s de Yang\u201d<\/p>\n<h3>Mejor pel\u00edcula internacional<\/h3>\n<div id=\"attachment_1234790650\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790650\" decoding=\"async\" class=\"size-large wp-image-1234790650\" alt=\"DECISI\u00d3N DE SALIR, (alias HEOJIL KYOLSHIM), TANG Wei, 2022. \u00a9 MUBI \/ cortes\u00eda de Everett Collection\" width=\"780\" height=\"324\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=300,125 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=1024,426 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=1536,638 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=2048,851 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=1443,600 1443w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=150,62 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=285,118 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=320,133 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=640,266 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=800,333 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=1280,532 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790650\" decoding=\"async\" class=\"size-large wp-image-1234790650\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?w=780\" alt=\"DECISI\u00d3N DE SALIR, (alias HEOJIL KYOLSHIM), TANG Wei, 2022. \u00a9 MUBI \/ cortes\u00eda de Everett Collection\" width=\"780\" height=\"324\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=300,125 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=1024,426 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=1536,638 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=2048,851 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=1443,600 1443w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=150,62 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=110,46 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=285,118 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=320,133 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=640,266 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=800,333 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Tang-Wei-in-Decision-to-Leave.jpg?resize=1280,532 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790650\" class=\"wp-caption-text\">\u201cDecisi\u00f3n de irse\u201d<\/p>\n<\/div>\n<p class=\"image-credit\">Cortes\u00eda de la colecci\u00f3n Everett<\/p>\n<p>1. \u201cDecisi\u00f3n de irse\u201d<br \/>2. \u201cRRR\u201d<br \/>3. \u201cEO\u201d<br \/>4. \u201cTodo tranquilo en el frente occidental\u201d<br \/>5. \u201cSin osos\u201d<br \/>6. \u201cLas almas en pena de Inisherin\u201d<br \/>7. \u201cSan Omer\u201d<br \/>8. \u201cSucediendo\u201d<br \/>9. \u201cSal a la carretera\u201d<br \/>10. \u201cBendici\u00f3n\u201d<\/p>\n<h3>Mejor \u00f3pera prima<\/h3>\n<div id=\"attachment_1234790651\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790651\" decoding=\"async\" class=\"size-large wp-image-1234790651\" alt=\"DESPU\u00c9S DEL SOL, desde la izquierda: Paul Mescal, Frankie Corio, 2022. \u00a9 A24 \/ Courtesy Everett Collection\" width=\"780\" height=\"421\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=300,162 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=1024,553 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=1536,829 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=2048,1105 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=1112,600 1112w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=150,81 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=110,59 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=285,154 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=320,173 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=640,345 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=800,432 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=1280,691 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790651\" decoding=\"async\" class=\"size-large wp-image-1234790651\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?w=780\" alt=\"DESPU\u00c9S DEL SOL, desde la izquierda: Paul Mescal, Frankie Corio, 2022. \u00a9 A24 \/ Courtesy Everett Collection\" width=\"780\" height=\"421\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?w=2048 3000w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=300,162 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=1024,553 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=1536,829 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=2048,1105 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=1112,600 1112w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=150,81 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=110,59 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=285,154 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=320,173 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=640,345 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=800,432 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Aftersun.jpg?resize=1280,691 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790651\" class=\"wp-caption-text\">\u00abDespues del sol\u00bb<\/p>\n<\/div>\n<p class=\"image-credit\">Cortes\u00eda de la colecci\u00f3n Everett<\/p>\n<p>1. \u201cDespu\u00e9s del sol\u201d<br \/>2. \u201cSan Omer\u201d<br \/>3. \u201cPonerse rojo\u201d<br \/>4. \u201cNi\u00f1era\u201d<br \/>5. \u201cMurina\u201d<br \/>6. \u201cSal a la carretera\u201d<br \/>7. \u201cEmily la criminal\u201d<br \/>8. \u201cTodos vamos a la feria mundial\u201d<br \/>9. \u201cLa Inspecci\u00f3n\u201d<br \/>10. \u201cTres minutos: un alargamiento\u201d<\/p>\n<h3>Mejores pel\u00edculas de estreno en 2023<\/h3>\n<div id=\"attachment_1234790654\" style=\"width: 790px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790654\" decoding=\"async\" class=\"wp-image-1234790654 size-large\" alt=\"\" width=\"780\" height=\"519\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png 1780w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=300,200 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=1024,681 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=1536,1022 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=902,600 902w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=632,421 632w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=900,600 900w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=1200,800 1200w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=150,100 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=110,73 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=285,190 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=320,213 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=640,426 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=800,532 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=1280,851 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img loading=\"lazy\" aria-describedby=\"caption-attachment-1234790654\" decoding=\"async\" class=\"wp-image-1234790654 size-large\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?w=780\" alt=\"\" width=\"780\" height=\"519\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png 1780w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=300,200 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=1024,681 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=1536,1022 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=902,600 902w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=632,421 632w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=900,600 900w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=1200,800 1200w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=150,100 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=110,73 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=285,190 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=320,213 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=640,426 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=800,532 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Showing-up.png?resize=1280,851 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<p id=\"caption-attachment-1234790654\" class=\"wp-caption-text\">\u00abApareciendo\u00bb<\/p>\n<\/div>\n<p class=\"image-credit\">cortes\u00eda de A24<\/p>\n<p>1. \u201cAparecer\u201d<br \/>2. \u201cTierra de Dios\u201d<br \/>3. \u201cCerrar\u201d<br \/>4. \u201cDe Humani Corporis Fabrica\u201d<br \/>5. \u201cPacificaci\u00f3n\u201d<\/p>\n<p><em>Haga clic en la p\u00e1gina siguiente para ver una lista de los cr\u00edticos que votaron.<\/em><\/p>\n<p class=\"article-singup-link\">\n\t<strong>Inscribirse: <\/strong>\u00a1Mant\u00e9ngase al tanto de las \u00faltimas noticias de cine y televisi\u00f3n!  Reg\u00edstrese aqu\u00ed para recibir nuestros boletines por correo electr\u00f3nico.\n<\/p>\n<div class=\"page-links__wrapper\">\n<p>\t\t\tP\u00e1gina\t\t\t<span class=\"page-links__current\">1<\/span><br \/>\n\t\t\tde\t\t\t<span class=\"page-links__total\">2<\/span>\n\t\t<\/p>\n<div class=\"page-links__continue\">\n\t\t\t\t\t<span class=\"page-links__continue_text\">Sigue leyendo:<\/span><br \/>\n\t\t\t\t\tEncuesta de cr\u00edticos 2022: Las mejores pel\u00edculas y actuaciones, seg\u00fan 165 cr\u00edticos de todo el mundo\t\t\t\t\t<\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/magazineoffice.com\/\">Source link-21 <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>165 cr\u00edticos de todo el mundo votaron en la encuesta de este a\u00f1o, y una pel\u00edcula encabez\u00f3 varias de las principales categor\u00edas por una victoria aplastante. El consenso cr\u00edtico est\u00e1&hellip;<\/p>\n","protected":false},"author":1,"featured_media":344661,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[123],"tags":[743,1632,5469,246,287,1146,257,144,26],"_links":{"self":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/344660"}],"collection":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/comments?post=344660"}],"version-history":[{"count":1,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/344660\/revisions"}],"predecessor-version":[{"id":344662,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/344660\/revisions\/344662"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media\/344661"}],"wp:attachment":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media?parent=344660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/categories?post=344660"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/tags?post=344660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}