{"id":358398,"date":"2022-12-19T14:01:13","date_gmt":"2022-12-19T14:01:13","guid":{"rendered":"https:\/\/magazineoffice.com\/la-mejor-fotografia-de-2022\/"},"modified":"2022-12-19T14:01:15","modified_gmt":"2022-12-19T14:01:15","slug":"la-mejor-fotografia-de-2022","status":"publish","type":"post","link":"https:\/\/magazineoffice.com\/la-mejor-fotografia-de-2022\/","title":{"rendered":"La mejor fotograf\u00eda de 2022"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"main-article\">\n<p><heading id=\"article-heading\"><\/p>\n<p>\t<\/heading><\/p>\n<p><h2>Desde la cabina hasta el escenario, en t\u00faneles subterr\u00e1neos y stop-motion milagrosamente iluminados, no hubo im\u00e1genes en movimiento m\u00e1s deslumbrantes que estas.<\/h2>\n<\/p>\n<div class=\"wp-caption\"><noscript><img width=\"780\" height=\"520\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?w=780\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Fotogramas de &quot;Rubio,&quot; &quot;Babilonia,&quot; &quot;Bardo,&quot; y &quot;No&quot;\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?w=2048 2550w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=300,200 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=1024,683 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=1536,1024 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=2048,1365 2048w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=900,600 900w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=632,421 632w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=1200,800 1200w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=150,100 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=110,73 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=285,190 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=320,213 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=640,427 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=800,533 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/12\/Best-Cinematography-2022-2-1.jpg?resize=1280,853 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<div class=\"image-caption wp-caption-text\">\n<p>En el sentido de las agujas del reloj desde la izquierda: \u00abBlonde\u00bb, \u00abBabylon\u00bb, \u00abBardo\u00bb, \u00abNope\u00bb<\/p>\n<\/div>\n<p class=\"image-credit\">netflix;  Paramount Pictures;  netflix;  Im\u00e1genes universales<\/p>\n<\/div>\n<div class=\"entry-content\">\n<div style=\"float: left; margin-right: 14px;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1234681110 alignleft\" alt=\"\" width=\"150\" height=\"150\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/11\/IW-bestof2022@2x.png?w=301\"\/><noscript><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1234681110 alignleft\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2022\/11\/IW-bestof2022@2x.png?w=301\" alt=\"\" width=\"150\" height=\"150\"\/><\/noscript><\/div>\n<p>Al examinar la mejor cinematograf\u00eda del a\u00f1o, el personal de IndieWire encontr\u00f3 muchas cosas que les gustaban, en todos los g\u00e9neros, formatos y planos de existencia.  2022 fue un a\u00f1o en el que la discusi\u00f3n sobre el lenguaje visual podr\u00eda haber estado dominada por el flash y el espect\u00e1culo, y \u00abmodesto\u00bb ciertamente no es la palabra que viene a la mente al considerar el aspecto y las t\u00e9cnicas innovadoras de nuestras mejores opciones.  Pero a medida que sigas leyendo, es tan probable que te encuentres con fotograf\u00edas \u00edntimas de la naturaleza y una atm\u00f3sfera neo-noir controlada por expertos como con c\u00e1maras que toman vuelo con artistas legendarios y\/o en la garganta de una amenaza de m\u00e1s all\u00e1 de las estrellas.  Ya sean t\u00faneles subterr\u00e1neos oscurecidos o luces en movimiento capturadas milagrosamente en stop-motion;  ya sea el trabajo de los c\u00e9lebres virtuosos Janusz Kami\u0144ski y Claudio Miranda o de directores de fotograf\u00eda emergentes como Ari Wegner y Chayse Irvin, no hab\u00eda im\u00e1genes en movimiento m\u00e1s deslumbrantes que estas.<\/p>\n<p class=\"article-singup-link\">\n\t<strong>Inscribirse: <\/strong>\u00a1Mant\u00e9ngase al tanto de las \u00faltimas noticias de cine y televisi\u00f3n!  Reg\u00edstrese aqu\u00ed para recibir nuestros boletines por correo electr\u00f3nico.\n<\/p>\n<\/p><\/div>\n<p><!-- .entry-content --><br \/>\n\t\t<!-- .entry-meta --><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/magazineoffice.com\/\">Source link-21 <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Desde la cabina hasta el escenario, en t\u00faneles subterr\u00e1neos y stop-motion milagrosamente iluminados, no hubo im\u00e1genes en movimiento m\u00e1s deslumbrantes que estas. En el sentido de las agujas del reloj&hellip;<\/p>\n","protected":false},"author":1,"featured_media":358399,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[123],"tags":[4581,166],"_links":{"self":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/358398"}],"collection":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/comments?post=358398"}],"version-history":[{"count":1,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/358398\/revisions"}],"predecessor-version":[{"id":358400,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/358398\/revisions\/358400"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media\/358399"}],"wp:attachment":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media?parent=358398"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/categories?post=358398"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/tags?post=358398"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}