{"id":442384,"date":"2023-02-04T06:54:37","date_gmt":"2023-02-04T06:54:37","guid":{"rendered":"https:\/\/magazineoffice.com\/los-roles-de-anya-taylor-joy-hasta-la-fecha-y-lo-que-hara-a-continuacion\/"},"modified":"2023-02-04T06:54:40","modified_gmt":"2023-02-04T06:54:40","slug":"los-roles-de-anya-taylor-joy-hasta-la-fecha-y-lo-que-hara-a-continuacion","status":"publish","type":"post","link":"https:\/\/magazineoffice.com\/los-roles-de-anya-taylor-joy-hasta-la-fecha-y-lo-que-hara-a-continuacion\/","title":{"rendered":"Los roles de Anya Taylor-Joy hasta la fecha y lo que har\u00e1 a continuaci\u00f3n"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"main-article\">\n<p><heading id=\"article-heading\"><\/p>\n<p>\t<\/heading><\/p>\n<p><h2>La nominada al Emmy por \u00abQueen&#8217;s Gambit\u00bb ha cautivado al p\u00fablico con su cautivador talento camale\u00f3nico desde su debut en la pantalla grande con \u00abThe Witch\u00bb.<\/h2>\n<\/p>\n<div class=\"byline-table flex-container\">\n<div class=\"flex-item\">\n\t\t\t<!-- Author byline --><\/p>\n<div class=\"byline-flex-container\" id=\"article-byline\">\n<div class=\"author-avatar byline-flex-item\"><\/div>\n<\/p><\/div>\n<p>\t\t\t<!-- \/Author byline -->\n\t\t<\/div>\n<p>\t\t<!-- Share Tools --><\/p>\n<p>\t\t<!-- \/Share Tools -->\n\t<\/div>\n<div class=\"wp-caption\"><img width=\"780\" height=\"458\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Anoche en el Soho\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?w=780\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png 2022w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=300,176 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=1024,601 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=1536,901 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=1023,600 1023w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=150,88 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=110,65 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=285,167 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=320,188 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=640,375 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=800,469 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=1280,751 1280w\" data-lazy-sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><noscript><img width=\"780\" height=\"458\" src=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?w=780\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"Anoche en el Soho\" decoding=\"async\" loading=\"lazy\" srcset=\"https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png 2022w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=300,176 300w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=1024,601 1024w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=1536,901 1536w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=1023,600 1023w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=150,88 150w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=110,65 110w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=285,167 285w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=320,188 320w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=640,375 640w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=800,469 800w, https:\/\/www.indiewire.com\/wp-content\/uploads\/2021\/05\/Screen-Shot-2021-05-23-at-5.55.41-AM.png?resize=1280,751 1280w\" sizes=\"(min-width: 87.5rem) 1000px, (min-width: 78.75rem) 681px, (min-width: 48rem) 450px, (max-width: 48rem) 250px\"\/><\/noscript><\/p>\n<div class=\"image-caption wp-caption-text\">\n<p>\u201cLast Night in Soho\u201d, que se lanzar\u00e1 el 29 de octubre.<\/p>\n<\/div>\n<p class=\"image-credit\">Twitter\/captura de pantalla<\/p>\n<\/div>\n<div class=\"entry-content\">\n<p>Carisma, talento de estrella y una personalidad notablemente humilde: con solo 26 a\u00f1os, Anya Taylor-Joy parece tenerlo todo.  La estrella de \u00abThe Queen&#8217;s Gambit\u00bb se convirti\u00f3 en el rostro de Viktor &#038; Rolf, obtuvo una nominaci\u00f3n al Emmy y gan\u00f3 un premio Golden Globe, todo en solo seis cortos a\u00f1os despu\u00e9s de su primer papel principal.  La estrella de cine internacional nacida en Miami, criada en Argentina y radicada en Londres aterriz\u00f3 en escena en 2015 con el debut como director de Robert Eggers, \u00abLa bruja\u00bb.  El papel destacado del \u00e9xito de Sundance consolid\u00f3 la sorprendente presencia de Taylor-Joy en la pantalla, y la rese\u00f1a de IndieWire calific\u00f3 su actuaci\u00f3n \u00abdestacada\u00bb como \u00abexquisitamente siniestra e inequ\u00edvocamente inquietante\u00bb.<\/p>\n<p>Taylor-Joy se convirti\u00f3 r\u00e1pidamente en un favorito independiente con las pel\u00edculas posteriores \u00abMorgan\u00bb junto a Kate Mara, \u00abThoroughbreds\u00bb del escritor y director Cory Finley, y \u00abSplit\u00bb y \u00abGlass\u00bb de M. Night Shyamalan.  En una entrevista con IndieWire, lament\u00f3 que se niega a ser encasillada, sino que sigue el \u201csentimiento m\u00e1gico\u201d de leer la parte correcta.<\/p>\n<p>\u201cEn Hollywood, la gente siempre quiere que tengas algo\u201d, dijo Taylor-Joy en 2018. \u201cLa gente te da algo, lo quieras o no.  Segu\u00ed los papeles que amo y la historia que amo.  Nunca tomo la decisi\u00f3n de &#8216;Soy bastante bueno en el horror, as\u00ed que voy a seguir haciendo esto ahora&#8217;.  Es m\u00e1s como si mis personajes habitaran mundos muy oscuros\u201d.<\/p>\n<p>Mientras Taylor-Joy contin\u00faa su toma de control del cine contempor\u00e1neo con pel\u00edculas recientes como \u00abAmsterdam\u00bb, \u00abThe Northman\u00bb y \u00abThe Menu\u00bb, est\u00e1 claro que es una estrella en ascenso.<\/p>\n<p>Obtenga m\u00e1s informaci\u00f3n sobre el ascenso al estrellato de Taylor-Joy a continuaci\u00f3n y reviva sus mejores papeles antes de sus pr\u00f3ximos lanzamientos.<\/p>\n<p class=\"article-singup-link\">\n\t<strong>Inscribirse: <\/strong>\u00a1Mant\u00e9ngase al tanto de las \u00faltimas noticias de cine y televisi\u00f3n!  Reg\u00edstrese aqu\u00ed para recibir nuestros boletines por correo electr\u00f3nico.\n<\/p>\n<\/p><\/div>\n<p><!-- .entry-content --><br \/>\n\t\t<!-- .entry-meta --><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/magazineoffice.com\/\">Source link-21 <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La nominada al Emmy por \u00abQueen&#8217;s Gambit\u00bb ha cautivado al p\u00fablico con su cautivador talento camale\u00f3nico desde su debut en la pantalla grande con \u00abThe Witch\u00bb. \u201cLast Night in Soho\u201d,&hellip;<\/p>\n","protected":false},"author":1,"featured_media":442385,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[123],"tags":[9201,1195,829,2133,882,8,8104,9202],"_links":{"self":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/442384"}],"collection":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/comments?post=442384"}],"version-history":[{"count":1,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/442384\/revisions"}],"predecessor-version":[{"id":442386,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/442384\/revisions\/442386"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media\/442385"}],"wp:attachment":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media?parent=442384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/categories?post=442384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/tags?post=442384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}