{"id":976881,"date":"2024-01-23T08:28:06","date_gmt":"2024-01-23T08:28:06","guid":{"rendered":"https:\/\/magazineoffice.com\/antes-de-que-las-minorias-queer-dominaran-el-discurso-ideologico-celebraban-en-la-cultura-tecno\/"},"modified":"2024-01-23T08:28:09","modified_gmt":"2024-01-23T08:28:09","slug":"antes-de-que-las-minorias-queer-dominaran-el-discurso-ideologico-celebraban-en-la-cultura-tecno","status":"publish","type":"post","link":"https:\/\/magazineoffice.com\/antes-de-que-las-minorias-queer-dominaran-el-discurso-ideologico-celebraban-en-la-cultura-tecno\/","title":{"rendered":"Antes de que las minor\u00edas queer dominaran el discurso ideol\u00f3gico, celebraban en la cultura tecno"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"\"><!----> <\/p>\n<div id=\"id-doc-1hklinsm80\" content=\"\" pagetype=\"Article\" componenttype=\"header\" data-vars-danzz-first-article-element=\"true\" class=\"headline\">\n<div class=\"headline__inner\">\n<p class=\"headline__lead\">El techno una vez renov\u00f3 la cultura pop.  Mientras tanto, esta m\u00fasica se ha vuelto m\u00e1s tranquila.  Sin embargo, dos exposiciones en el Photobastei de Zurich intentan mostrar la sostenibilidad social del movimiento techno.<\/p>\n<p> <!---->  <\/div>\n<p> <!----><\/div>\n<p> <!----><!----> <\/p>\n<figure id=\"id-doc-1hkopa1of1\" content=\"\" pagetype=\"Article\" componenttype=\"image\" class=\"articlecomponent image  image--containerwidth\" style=\"position:relative;\">\n<div data-nzz-tid=\"image-placeholder\" itemscope=\"itemscope\" itemtype=\"http:\/\/schema.org\/ImageObject\" itemid=\"https:\/\/img.nzz.ch\/2024\/01\/22\/40340ec7-5a56-41ac-ac40-5920999dd4c4.jpeg?width=560&#038;height=371&#038;fit=crop&#038;quality=75&#038;auto=webp\" class=\"image-placeholder image__placeholder\" style=\"padding-bottom:66.3%;\"> <!----> <!----><\/div><figcaption class=\"articlecomponent__description\">\n<div class=\"image-description image-description--containerwidth\">\n<h2 data-nzz-tid=\"image-description-caption\" data-team-image-caption=\"true\" class=\"image-description__caption image-description__caption--large\">En Georgia, la escena queer techno desaf\u00eda a la Iglesia Ortodoxa y a las bandas de matones reaccionarias.  Fotograf\u00eda \u201cTbilisi\u201d de Hitori Ni.<\/h2>\n<p><span data-nzz-tid=\"image-description-author\" class=\"image-description__author-single\">\u00a9 Hitori Ni<\/span><\/p>\n<\/div>\n<\/figcaption><!----><\/figure>\n<p> <!----><!----> <\/p>\n<p data-team-paragraph=\"\" id=\"id-doc-1hklinsm90\" content=\"\" pagetype=\"Article\" componenttype=\"p\" data-vars-danzz-last-article-element=\"true\" class=\"articlecomponent text\">El techno alguna vez arras\u00f3 con los p\u00e1ramos industriales, reson\u00f3 en las escapadas urbanas y rugi\u00f3 hacia el cielo abierto.  Si lo encuentras ahora en un museo, no es necesariamente un signo de su vitalidad.  El museo suele ser un representante de los vivos.  Y en cuanto al volumen notoriamente embriagador de esta m\u00fasica, una colecci\u00f3n de fotograf\u00edas, videos y presentaciones ofrecen un silencio concentrado en lugar de una r\u00e1faga de sonido.<\/p>\n<p> <!----><!---->  <\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.nzz.ch\/feuilleton\/techno-im-museum-zwei-ausstellungen-in-der-zuercher-photobastei-ld.1775267\" target=\"_blank\" rel=\"noopener\">Source link-58 <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El techno una vez renov\u00f3 la cultura pop. Mientras tanto, esta m\u00fasica se ha vuelto m\u00e1s tranquila. Sin embargo, dos exposiciones en el Photobastei de Zurich intentan mostrar la sostenibilidad&hellip;<\/p>\n","protected":false},"author":1,"featured_media":976882,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[193,70517,7131,11,92214,89972,246,59135,8639,80035],"_links":{"self":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/976881"}],"collection":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/comments?post=976881"}],"version-history":[{"count":1,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/976881\/revisions"}],"predecessor-version":[{"id":976883,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/posts\/976881\/revisions\/976883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media\/976882"}],"wp:attachment":[{"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/media?parent=976881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/categories?post=976881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineoffice.com\/wp-json\/wp\/v2\/tags?post=976881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}